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- Self-portrait with Everlasting Flowers, oil on canvas 2011 size 90 x 65 cm
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- Ground with Everlasting Flowers, oil on canvas 2013 size 60 x 50 cm
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- Thought with Everlastings, oil on canvas 2013 size 70 x 40 cm
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- Everlasting Flowers and Small Chrysanthemums, oil on cardboard 2011 size 72 x 50 cm
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- Purple Everlastings, oil on cardboard 2011 size 42 x 29 cm
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- Thistle-Everlastings, oil on cardboard 2012 size 72 x 50 cm
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- Everlasting Flowers in Glasses, oil on cardboard canvas 2012 size 33 x 46 cm
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- Everlasting Flowers, oil on canvas 2010 size 82 x 105 cm
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- Still Life with Irises in the Night, oil on canvas 2011 size 65 x 90 cm
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- Katia Reading with a Hat, oil on canvas 2011 size 70 x 100 cm
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- White Shelf, oil on canvas 2012 size 50 x 80 cm
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- Palm Sunday, oil on canvas 2011 size 30 x 100 cm
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- Still Life with Radiator, oil on canvas 2010 size 50 x 125 cm
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- Everlastings and Pretzels, oil on canvas 2011 size 45 x 60 cm
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- Vital Space, oil on canvas 2013 size 60 x 70 cm
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- Everlasting Flowers with Pincers and Hammer, oil on canvas 2011 size 46 x 40 cm
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- Everlasting Flowers in Braziliei Street, oil on canvas 2013 size 50 x 40 cm
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- Katia with Everlasting Flowers, oil on cardboard 2011 size 36 x 30 cm
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- Mom Knitting in Blue, oil on canvas 2012 size 106 x 92 cm
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- An Actress, oil on canvas 2012 size 55 x 45 cm
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- Personage in the Studio, oil on canvas 2012 size 60 x 50 cm
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- Moroccan Stories, oil on canvas 2012 size 95 x 80 cm
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- Lungs, oil on canvas 2013 63.5 x 53 cm
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- Dad Reading in the Studio, oil on canvas 2013 size 110 x 80 cm
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- Studio with Everlastings, oil on canvas 2014 size 105 x 82 cm
Siemprevivas
was the name of a 2014 exhibition with what I was calling before “Studio with Everlastings” series of oil paintings, created between 2010-2013. The idea of this series came to me after having painted various still lifes with flowers that I gathered at the end of the year 2010 in an exhibition called “With Flowers” which in Romanian was “Cu flori” – cutting the letter “f” it remains “culori”, the Romanian word for “colors” – shortly, one of the pretexts for painting them. I kept some Everlastings in my studio afterwards and this was a presence that was discreetly changing some aspects of my workspace. I was seeing the flowers otherwise than when they were the main subject and this seemed to me interesting – to have them only as some kind of filters. It was a perception that allowed me to expand with all sorts of compositions, thanks to only one restriction, this leitmotif: some dry, very patient flowers.
Here you can see some photos from the opening, the 6th of March 2014, published on Modernism magazine http://www.modernism.ro/2014/03/12/nadina-pascariu-siemprevivas/
A relevant understanding from a well known Romanian art critic that I appreciate, Pavel Şuşară, can be read on my Reviews page.